The Liminality Glossary

The word liminal has slipped into everyday speech, but its roots run deep — through anthropology, theology, psychology, and story. This glossary gathers the vocabulary of the in-between: the terms scholars use, the figures myth keeps returning to, the ideas different traditions have circled for centuries.

Some entries are technical. Some are poetic. All of them are fascinating.

The Core Vocabulary

Limen

Latin for threshold — the raised sill beneath a doorway, the line you cross to move from one room to another. Every word in this glossary grows from this one. A limen is not a wall and not an open field; it is the charged place between.

Liminal

Of or relating to the threshold. A liminal thing sits on a boundary — neither fully one side nor the other. A doorway is liminal. So is dusk. So is the moment after the question and before the answer.

Related: The Liminality Primer

Liminality

The condition of being in-between: no longer the old thing, not yet the new. Liminality is the state of transition itself — ambiguous, unstructured, disorienting, and (this is the secret) fertile. It is where transformation actually happens, though it rarely feels like it while you are inside it.

Related: The Liminality Primer

Betwixt and between

The plainspoken English for liminality, and a phrase old enough to feel like a spell. To be betwixt and between is to belong to neither category — to have left one shore without reaching the next.

Related: Betwixt & Between: Discovering the Gift of the Liminal (a free, eight-module introduction to the threshold for personal or group use.)

Threshold

The literal or figurative boundary you cross to change states. In myth and ritual, thresholds are sacred and slightly dangerous places; you do not step over one and remain unchanged. To stand on the threshold is the whole experience of the liminal.

Related: “Why Empty Hallways Feel So Wrong: The Psychology of Liminal Spaces”

The in-between

The everyday name for liminal space, time, or state — the pause between chapters, the hallway between rooms, the season between the life that ended and the one not yet begun.

Related: Betwixt & Between: Discovering the Gift of the Liminal (a free, eight-module introduction to the threshold for personal or group use.)

Transition

The passage from one state, status, or identity to another. Liminality is the middle of every transition — the part we tend to want to rush through, and the part that does the actual work.

Related: “Process Thought and Liminality” — Jay McDaniel

The Rite of Passage

The framework that started it all. The ethnographer Arnold van Gennep noticed that cultures everywhere mark their great transitions with ritual — and that these rituals share a hidden architecture of three phases.

Rite of passage

A ritual that carries a person from one social status to another — birth, coming of age, marriage, death. Every culture has them; they exist precisely because transitions are hard, and communities have always known we need to be carried through.

Related: The Liminality Primer ·  “Liminality, Purity Culture, and Indigenous Experience”

Pre-liminal (Separation)

The first phase. The individual is detached from a former status, role, or group. Something is left behind — a name, a place, an old self. The door closes behind you.

Related: The Liminality Primer ·  “Liminality, Purity Culture, and Indigenous Experience”

Liminal (Transition)

The middle phase, and the heart of it all. No longer the old status, not yet the new one. Here the usual rules are suspended, identity is loosened, and the person is, in a sense, nobody — and therefore free to become somebody new.

Related: The Liminality Primer ·  “Liminality, Purity Culture, and Indigenous Experience”

Post-liminal (Reincorporation)

The third phase. The individual is welcomed back into the community with a new status and a new identity. The transformation is recognized and made real by others. Reincorporation (also called reaggregation) is what keeps the in-between from becoming a permanent exile.

Related: The Liminality Primer ·  “Liminality, Purity Culture, and Indigenous Experience”

Turner’s Expansion

Where van Gennep mapped the structure, the anthropologist Victor Turner explored what it feels like and what it does — especially the strange social energy of the middle phase.

Antistructure

The temporary suspension of the ordinary social order during the liminal phase. Ranks flatten, rules loosen, hierarchies dissolve. Antistructure is not chaos; it is a deliberate, ritual pause in the usual arrangement of things — a clearing in which something new can be tried.

Communitas

The intense, egalitarian bond that forms among people passing through liminality together. Stripped of their usual roles, initiates — or disaster survivors, or pilgrims, or grievers — meet one another simply as human beings. Communitas is the gift hidden inside hard transitions: the discovery that you are not alone in becoming.

Liminoid

Turner’s term for the liminal-like experiences of modern life — art, theater, festivals, sport, play — that echo the old rites but are chosen rather than obligatory, and often individual rather than communal. A concert or a novel can be liminoid: a voluntary step out of ordinary structure.

Related: “The Screen Threshold: One Click from Liminoid Virtual Reality”

Threshold people (liminars)

Those in the midst of the liminal phase — initiates, novices, the newly bereaved. Turner described them as neither here nor there, betwixt and between all fixed points of classification. Ambiguous by definition, and often treated by their communities as both vulnerable and a little sacred.

Marginality

A related condition: being permanently positioned on the edge of two or more groups without full membership in either. Where liminality is usually temporary, marginality can be a lasting place to live — with its own hardships and its own clear-eyed vantage.

Outsiderhood

Turner’s term for those who stand, by choice or by fate, outside the social structure altogether — hermits, prophets, shamans, holy fools. The outsider’s distance can become a kind of moral or spiritual authority.

Kinds of Liminality

Since van Gennep, the idea has grown to describe far more than ritual. We now speak of liminal places, times, and states. 
Related: Betwixt & Between: Discovering the Gift of the Liminal (a free, eight-module introduction to the threshold for personal or group use.)

Liminal space (place)

A physical location that exists between destinations, or between uses — meant for passing through rather than staying. Hallways, stairwells, waiting rooms, airport terminals, bridges, doorways, crosswalks. Also: places whose purpose is suspended or unclear — an empty parking lot at 3 a.m., a building mid-construction, a shoreline where land becomes sea.

Related: “Why Empty Hallways Feel So Wrong: The Psychology of Liminal Spaces” · “Liminal Spaces: Where the Familiar Turns Strange” (Libations from the Liminal)

Liminal time

A temporal threshold — a moment or period when the ordinary flow of time is suspended or turning over. Dawn and dusk. The turning of the year. New Year’s Eve, Lent, Ramadan, the days between a death and a funeral. Time that belongs to neither what came before nor what comes after.

Related: “Liminal Times: Dawn, Dusk, Autumn and the Turning Year” (Libations from the Liminal)

Liminal state

A psychological or existential condition of being suspended between identities, roles, or ways of knowing. Not bound to a particular room or hour, but carried within — a felt sense of being between selves.

Related: “Liminal States: No Longer Who We Were” (Libations from the Liminal)

Liminal season

A term often used to describe an extended liminal state — one experienced over a long stretch of life: grief, a career change, an empty nest, an illness, a move, a crisis of faith. A liminal season asks something of us — usually patience, and the willingness to let old things fall away before we can see what is emerging.

The uncanny (in place)

The strange, familiar-yet-unsettling feeling an empty liminal space can produce — a school corridor at night, an abandoned mall. The eeriness comes from absence: a place built for people, emptied of them, still humming with the echo of what it was for. (See also the uncanny in the Inner Life section.)

Related: “Why Empty Hallways Feel So Wrong: The Psychology of Liminal Spaces”

Forced liminality

Transition that is imposed rather than chosen — by loss, disaster, exile, or upheaval. When the whole world turns over at once. The tools that help are agency (finding what you can control), ritual, community, and creativity.

Related: “The Corona Virus and Liminality” — Tim Carson

The Trap of the Liminal

Getting stuck on the threshold. Liminal states offer the possibility of transformation, but we often resist — and remain suspended in the in-between. Sometimes for years. Sometimes for the rest of our lives. A threshold is bearable because it promises another side; the trap is a threshold with no arrival, no destination, no reincorporation — the fear the endless hallway makes visible.

Related: “Why Empty Hallways Feel So Wrong: The Psychology of Liminal Spaces”

Liminal Figures & Archetypes

Story has always populated the threshold with characters. These are the archetypes that recur across myth, scripture, and literature.

Liminal guide

A mentor, teacher, or companion who has already crossed a similar threshold and returns to help others through. The guide’s role is not to carry you or to make the journey easy — it is to model resilience, offer perspective, and share wisdom. Gandalf, Beatrice, Morpheus, Virgil.

Threshold guardian

A figure who stands at the border of a new world and tests whether the traveler is ready to cross. In Joseph Campbell’s map of the hero’s journey, the guardian must be faced, outwitted, or won over before the threshold can be passed.

Psychopomp

A guide of souls — the figure who conducts the dead, or the transforming, from one world to the next. Hermes, Charon the ferryman, Anubis, the valkyries, Virgil leading Dante. The ferryman is the psychopomp of the threshold between life and death.

The trickster

A boundary-crossing figure who lives in the in-between and refuses every fixed category — part fool, part sage, part shapeshifter. Hermes, Loki, Coyote, Anansi. The trickster thrives in antistructure and is often the one who moves the story from one world to the next.

Threshold deities

Gods of doorways, borders, and transitions. Janus, the two-faced Roman god of doorways, beginnings, and endings, who looks backward and forward at once (January bears his name). Hecate, Greek goddess of crossroads, boundaries, and the space between worlds.

The initiate

The one undergoing the passage — the novice, the pilgrim, the mourner, the one being made new. To be an initiate is to consent, or be compelled, to unknowing for a while.

Liminality Across Traditions

Every tradition has words for the in-between. Naming them alongside one another reveals how universally human the threshold is.

Bardo

In Tibetan Buddhism, an intermediate or transitional state — most famously the bardo between death and rebirth (traditionally forty-nine days) described in the Bardo Thödol. The familiar Western title “The Tibetan Book of the Dead” was coined by its first translator; the phrase more literally means “liberation through hearing in the intermediate state.”

Nepantla

A Nahuatl (Aztec) word meaning in the middle, or torn between ways. Reclaimed by the writer Gloria Anzaldúa to name the disorienting, generative space of living between cultures, languages, and identities.

Ma (間)

A Japanese aesthetic concept: the meaningful interval — the pause, the gap, the negative space between things. Ma insists that the emptiness between two notes, or two rooms, or two events, is not nothing. It is where meaning breathes.

Purgatory & Limbo

Two theological names for the in-between. Purgatory, in Catholic doctrine, is a state of purification between earthly life and heaven — no longer living, not yet arrived. Limbo (from the Latin limbus, “edge” or “hem”) was a speculative “border” region for souls neither damned nor admitted to heaven; it was never defined dogma, and modern teaching has largely set it aside. In common speech, “in limbo” has become one of our most-used names for being stuck.

Interregnum

Literally “between reigns” — the gap between one ruler and the next, and more broadly any period when the old order has ended and the new cannot yet be born. Antonio Gramsci and Zygmunt Bauman both used it to name our own unsettled age.

The numinous

Coined by Rudolf Otto for the specific quality of holy dread and fascination we feel in the presence of the sacred — mysterium tremendum et fascinans. Thresholds are often numinous places; we sense we are near something larger than ourselves.

The sacred and the profane

Mircea Eliade’s distinction between sacred space and time (charged, set apart, meaningful) and profane, ordinary reality. A hierophany — a term Eliade coined — is a manifestation of the sacred into the ordinary world; the axis mundi is the sacred center, a pillar, mountain, or tree, where the threshold between worlds is thinnest.

Kairos & chronos

Two Greek words for time. Chronos is ordinary, sequential clock-time. Kairos is the charged, opportune moment — the “right time,” the threshold moment when something can happen. Liminal time is kairos breaking into chronos.

Liminality & the Inner Life

The threshold turned inward. Psychology has its own vocabulary for the in-between of the self. 

Individuation

Carl Jung’s term for the lifelong process of becoming who you most deeply are — of integrating the disparate parts of the psyche into a whole. Individuation moves through liminal passages: periods of dissolution and disorientation that precede a more complete self.

Related: “Nietzsche, Jung, and Liminality” — Gary Sparks

Night-sea journey

An image for the dark passage of descent and return — the soul’s plunge into the depths, the time in the belly of the whale, before it can rise transformed. Often credited to Jung, the phrase was in fact borrowed by him from the ethnographer Leo Frobenius (1904); Jung and later Joseph Campbell wove it into the language of inner transformation. A liminal ordeal of the interior.

Transitional object

D. W. Winnicott’s term for the first “not-me” possession a child clings to — the blanket, the stuffed rabbit — that lives in the space between inner fantasy and outer reality. The original liminal object, holding the child between merger and separateness.

Symbolic death and rebirth

The pattern at the core of nearly every rite of passage: to become new, the old self must, in some symbolic way, end. The initiate “dies” to what they were so they can be reborn to what they are becoming.

The uncanny (das Unheimliche)

Freud’s name (from his 1919 essay) for the unsettling feeling that arises when something familiar becomes strange — the home that is no longer homely. The uncanny is the emotional weather of many liminal places and thresholds.

Disorientation

The characteristic feeling of the liminal state — the loss of familiar coordinates. Uncomfortable, and also a signal: disorientation is often the first evidence that a real transformation is underway.

Liminality in Literature & the Arts

Where the threshold becomes a way of making meaning.

Art as a liminal container

Poetry, freewriting, painting, music — creative forms can hold the contradictions of a liminal experience without needing to resolve them. Art gives the in-between a shape you can live inside for a while.

Art as liminal phenomenon

The idea that a work of art is itself a threshold event. If the maker becomes a liminal being — submerging into an interior, contemplative state “betwixt and between” in order to create — and creation is a liminal process drawing on both conscious craft and the unconscious depths, then the artwork that emerges is a liminal phenomenon: born in the borderlands of the psyche and carrying that numinous charge out into the world. In S. K. Kruse’s framing, art is “skillful and authentic creative expression with a gnostic character” — the skill drawn from the conscious realm, the gnosis from the unconscious.

Related: “The Art of the Liminal” — S. K. Kruse’s presentation

Metaphor-making

Casting the liminal as a cocoon, a wilderness, a night-sea journey, a threshold — giving a formless, difficult experience an image and therefore a meaning. Naming the in-between is the first act of navigating it.

The chrysalis / cocoon

The reigning metaphor for liminal transformation: the caterpillar that dissolves entirely before it becomes a butterfly. Inside the cocoon there is a stage of near-total unmaking — a reminder that liminal formlessness is not failure but process.

The wilderness / the desert

The scriptural and literary image of the in-between as a place of testing and clarification — forty years, forty days — where the old life is stripped away and the new vocation is found.

The fabulist / speculative threshold

In fiction, the doorway between the ordinary world and the strange one — the wardrobe, the rabbit hole, the ferry across the river. Speculative and mythic fiction lives at this seam, using the uncanny to tell the truth about transformation.

Related: The Essential Liminal Bibliography (Scroll for Liminal Fiction and Films)

Poetry at the threshold

Of all the arts, poetry may live closest to the threshold. The lyric works by compression and suggestion — holding meaning in the charged space between what is said and what is left unsaid — and it returns again and again to dusk, death, dream, and departure. From Keats’s borderland between waking and dream to Dickinson’s slow carriage ride toward eternity, poems give the in-between a voice.

For sources and further reading, visit Liminality Project Resources and  our Bibliography & Filmography.